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Spectra photosync tint review4/2/2023 ![]() ![]() I have an appointment at the tint shop next week to see if they can fix some bubbles and such. In all the fairness the interior is pretty cool even in direct sunlight. Driving on the Hwy 5 is a joke as back window lights up like a Christmas tree. The lights even from a single car refracts separately from each of the defroster wire position creating a column of glare. Lights from the cars in the side mirrors double, but that's nothing comparing to the rear window. Surrounding looks as if viewed through hot air raising from asphalt, except it is all over the place not just down where road is. The feeling is as if I look through a plastic bag (more like a fish looking out through the bag on the way out of the pet shop): sensation is particularly strong if looking across the windshield at a gliding angle. None of which will probably fix optical clarity. Some are tiny, some larger, some will possibly disappear and others the installer pledges to either fix or redo. I can still see plenty of tiny pin hole size bubbles on the front window, but also large wide purple and green bands all across the sky that move around as the relative Sun position changes. (Or sooner as we are in the federal emergency area with all the fires and triple digit heat these days). I was told to expect some haze and tiny bubbles that would dissipate in a couple of days. Four hours of labor and the film (65 all around and 75 for windshield) set me back $850. There is just one dealer in our village south of LA that carries Spectra Photosync. ![]() Still the specs looked nice and better than 3M and I decided to get the Prestige. Very little is known about the film or the company that makes it and all the reviews are done either by the company itself or the installers with videos of thermometers inside Ferraris and such showing how cool the interior was. The former has a rather peculiar brownish tint in shades below 70, while the latter is kind of bluish and is all the rave on Tesla forums. If money is no object, the search will rapidly collapse to the choice between 3M Crystalline and Prestige Photo Sync. I couldn't care less about the limo look. My objective was deceptively simple: I wanted the best there is on the market and the tint was to deliver maximum heat (IR) rejection along with maximum visible light transmittance while not compromising optical clarity of the BMW glass. Taking delivery of my new ride a month ago, I set to explore what is out there in the tint world. Wasn't much of a problem in upstate NY, but heat build up is an issue in SoCal. The UV is reduced by 99% and IR reduced by 98.5% the highest IR reducing window film on the market.Ok, I never had windows tinted before. What was once clear, single pane glass, is now high tech, heat reducing windows. We applied this clear adaptive film to all windows within the wheelhouse. ![]() Below are some photos of a crew boat from Starfleet Marine Inc. We are the only Louisiana authorized dealer of Prestige Spectra Photosync, the world’s only solar adaptive window film. This innovative product is clear at night and automatically shades itself during the day, drastically reducing glare and heat. It’s time to protect yourself from the elements while also ensuring your privacy. For Boating enthusiasts, spending time on the water can be a way of life. With our top of the line marine window tinting products, you’ll block harmful UVA-UVB Rays that can damage skin, fade furniture, and cause excessive heat and glare. We are excited to bring our expertise in window tinting for homes and offices and apply them to the windows in your boat. ![]() Quick midi to general midi player4/2/2023 ![]() ![]() Still, it duplicates many functions of a sequencer. Technically speaking, Finale isn’t a sequencing program rather, it has been designed primarily to produce notation. on different MIDI setups, you'll hear roughly the same result. For example, music created in any sequencer program can be opened by Finale and converted into written notation. This standard was developed so that when you play the same MIDI file A type of file written in a standardized format that can be understood by music programs from different manufacturers so that one file can be used in several different programs. Part of the reason General MIDI was established was to provide a standardized listing of sounds or patches. In addition to the basic structure of how MIDI works, the General MIDI specification defines MIDI instruments. ![]() ![]() You have a wide range of MIDI driver choices and can send and receive MIDI on more than one instrument per port. If you want to synchronize Finale’s MIDI input or output to that of an external sequencer or another computer, see MIDI sync.For information on sending patch changes, see Patches.If you want to assign the staves in a piece to MIDI playback channels, see MIDI Terminology – MIDI channels.If you want to create or transcribe a standard MIDI file for exchanging with sequencer programs, see To export a MIDI file.If you want to record a real-time MIDI performance, see Recording with HyperScribe.If you want to use step-time MIDI input to enter notes, see Speedy Entry or Simple Entry.If you want to edit a specific MIDI data type, see Editing MIDI data: Key velocity, Note durations (start and stop times), Continuous data, Pitch wheel, and Patches.If you want to affect MIDI playback through the use of graphic expression marks, see Expressions (or see the entry for the individual marking).Some of the common tasks involving MIDI include: Many core features of Finale operate on the MIDI standard framework. MIDI, or Musical Instrument Digital Interface, is the computer language that computers and MIDI instruments use to speak to each other. Noteman says: If you need help setting up your MIDI system, consult Setting up your MIDI system in the Finale Tutorials. ![]() Large protractor4/1/2023 ![]() ![]() The amount of your eyeball covered by the fovea is just a couple of square millimeters-similar to the fraction of the night sky that appears to be covered by the moon. This region, which is surprisingly small, gives you the sharpest view of an object. In the center of your field of view is a region in which the cones are packed tightly together. (The diagram below shows the distribution of rods and cones across your retina. Because there are fewer rods, you have a limited ability to resolve the shapes of objects at the periphery of your vision. The rods are more evenly spread across the retina, but they also become less densely packed toward the outer regions of the retina. Thus, it isn’t surprising that you can’t distinguish the color of something you see out of the corner of your eye. When you see something out of the corner of your eye, its image focuses on the periphery of your retina, where there are few cones. These cells are clustered mainly in the central region of the retina. Your retina-the light-sensitive lining at the back of your eye-is packed with light-receiving cells called rods and cones. (I t might be helpful for the person to briefly stop the motion of his/her arm at each point.) You'll likely find that your partner has to move the test object surprisingly close to the focus object before he/she can make out the various details.Ĭollect more data by switching arms or switching partners. Record the angles at which your partner correctly identifies the properties above. Partner can correctly read the text on the test object Partner can correctly identify the test object's shape Partner can correctly identity the test object's color Partner can detect motion of the test object Pay close attention to your partner's eyes during this to make sure there is no sideways movement.Īsk your partner to pay attention to his/her peripheral vision without looking at the test object and tell you when he or she is first able to correctly discern the following visual information: While your partner continues to stare at the focus object without moving the head or left thumb, ask him/her to slowly bring the right arm toward the stationary hand in an arc. Making sure your partner is staring straight ahead and can't see what you're doing, tape a randomly chosen test object (a colored shape with a word in it) on the right thumb, oriented towards your partner's face. Instruct your partner to stare straight ahead at the dot, while keeping his/her left hand stationary. Tape the focus object (the small piece of paper with the dot on it) on your partner's left thumbnail. Position his/her left arm so it is directly over the 0-degree mark, then swing the right arm out to the side, past the 90-degree mark so it is a little behind the body. Have the person extend both arms directly in front at eye level, make fists with both hands, and point both thumbs up. Looking at your partner from across the table, make sure his/her head is aligned with the vertex of the tabletop protractor. Have your partner sit at the table in the same spot you used to mark the protractor. Important: Don’t let your partner see any of these objects yet. In large capitals, in the middle of each shape, write a three- or four-letter word (such as DOG, CAT, or EYE).Each shape should be slightly more than 1 inch (2.5 cm) in width and height. Use colored marking pens to draw simple shapes such as a rectangle, square, or triangle on a small piece of paper. The dot is merely a visual target and will be what your partner will stare at during the experiment. Cut out a small piece of paper and add a black dot somewhere on it.On either side of this mark, label your tape in ascending 10-degree increments up to 90 degrees on both the left and right. Label the piece of tape at the vertex "0 degrees" (on a standard protractor, this would be marked 90 degrees). Using your outstretched arm, a piece of string, and your standard-sized protractor as a guide, create a large-scale tabletop protractor by marking the angles every 10 degrees with small pieces of tape. This will be your tabletop protractor's vertex. Mark a point with tape about 2 feet in front of you at the far edge of the table. Position yourself so you are centered on the long (wide) side of a table. ![]() Idol manager break room4/1/2023 ![]() Xiufen devotes massive amounts of energy into the process of fostering new idols in competition shows and heavily rely on the functionality of digital platforms to organise their cultural activities, such as fundraising, voting, and promoting. Xiufen are a type of idol fan that is incorporated and institutionalised by the mechanisms of the contemporary commercial media ecosystem. ![]() More importantly, Chinese idol fandom has been integrated into the landscape of domestic media industries and reshaped by corporate power and new media technologies ( Fung, 2019 Yin, 2020). Compared to other cultural consumers, these fans manifest a high level of agency, mobility, autonomy, and collectivism ( Yin, 2021 Zhang & Negus, 2020). The controversies around Chinese idol fans and the ‘Clean Up’ Movement indicate the unique nature of Chinese idol fandom, which is embedded in the increasingly intricate digital media contexts of China. The state-corporate-society co-opting mode of governance has evolved toward what we termed ‘coercive co-opting’, in which digital platforms and users conform with the imaginaries and ideologies of the state, while the authorities still intervene in an intimidating and suppressive manner. We argue that Chinese idol fans like xiufen are subject to a governance structure where power relations between different players are highly complex and entangled. Drawing from the walkthrough analysis of xiufen (fans of idol competition shows), we investigate three key stakeholders: platform, state, and xiufen fandom, to reflect on wider Internet governance issues in China. ![]() This article explores the complexity and shift of governance on Chinese idol fans by examining the digital fandom fundraising platform Taoba. This movement triggered discussions about the transforming governance strategy over fandom and broader Chinese Internet users. ![]() In 2021, a top-down rectification movement called ‘Clean Up’ impinged on Chinese idol fandom culture. 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She is definitely not an heiress, and her real last name is Sorokin. Julia Garner plays Anna Delvey, a Russian-born German in her mid-20s who claims to be an heiress while palling around with some of Manhattan's wealthy and powerful. HARRIS: So the Netflix miniseries "Inventing Anna" was created by Shonda Rhimes. He's the host of the podcast "LGBTQ&A" - that's Q&A with an ampersand. HARRIS: Also joining us is Jeffrey Masters. KRISTEN MEINZER: So happy to be back to talk about this scammer. She is the co-host of the podcast "Movie Therapy With Rafer & Kristen." She's also the co-author of "How To Be Fine." Welcome back, Kristen. But is Anna's story as fascinating on the screen as it was on the page? I'm Aisha Harris, and today we're talking about "Inventing Anna" on POP CULTURE HAPPY HOUR from NPR. The show is inspired by a viral New York Magazine article. And now her schemes have been dramatized in "Inventing Anna," a Netflix miniseries created by Shonda Rhimes. Several years ago, she posed as an heiress and conned a whole bunch of wealthy people out of their money before ultimately spending time in prison. ![]() In our current era chock-full of headline-making scammers, Anna Delvey is one of these splashiest. ![]() Pablo larrain4/1/2023 ![]() There’s an earlier scene in which Gregory tells Diana about a soldier who was spinning a tale about a wild horse that couldn’t be tamed and was hit by a bullet before he could finish the story. If you’ve got questions about Kristen Stewart’s portrayal of Princess Diana in the new film ‘Spencer,’ we have the answers.Įven Stewart and Larraín can’t agree about the character’s motivations - and Stewart finds this thrilling, as she loves a good debate. Movies All your burning questions about Kristen Stewart as Princess Diana, answered Shortly afterward, we see Major Gregory return the Boleyn book to a shelf in the library. “Anne Boleyn saved my life last night,” Diana tells a friend at the end of the film. Soon, Diana begins seeing Boleyn’s ghost, listening to her advice at a crucial moment. That first meeting marks the beginning of a cat-and-mouse game that continues throughout “Spencer.” In her room, Diana finds a biography of Anne Boleyn, the wife Henry VIII beheaded. ![]() She could turn passive-aggressive communication into an art form.” I am a very stand-and-deliver, straight-up motherf. “And I’ve always been a little bit slow on the uptake, because the quick, casual, disarming - what could be construed as catty - communication is just not my strong suit. “I’ve spent a lot of time in and out of the U.K. Larraín calls it an “arrival to an elegant prison.” Stewart is more blunt, calling it a “full-blown fight scene.” Larraín says devising a shooting schedule is a “science.” On the first day of “Spencer,” it was all visuals, no words, an “embracing” day, Stewart says, like “settling into warm water.” The next day was different: A five-page scene with Diana arriving at the royal family’s chilly Sandringham country estate on Christmas Eve and being welcomed - perhaps processed is a better word - by Timothy Spall’s spectral Major Gregory, a military man tasked with making sure Diana doesn’t cause trouble. Olympus to be precise, sitting on a patio overlooking a seemingly boundless blanket of Los Angeles lights, talking about our favorite scenes from Larraín’s sly, subversive and wholly subjective film. “You put these songs on and I’m f- swirling around in my conceived memories of what her life must have felt like, which was such a trip,” Stewart told Larraín on a recent October night. When “Spencer” was finished shooting, Larrain took all the footage from these sessions and turned it into a 3½-minute montage that’s seen toward the end of the film, a wordless sequence set to composer Jonny Greenwood’s “Crucifix” that sums up a defiant Diana’s need to escape. Larraín would have to remind her that the camera was rolling. ![]() And usually, at least at the beginning, all Stewart wanted to do was talk about the song. For 30 minutes or so, Larraín would choose a musical cue - it might be Miles Davis or Frank Sinatra or Lou Reed - and Stewart, having picked out one of Diana’s dresses from a costume rack - would respond to the music. It didn’t matter how Stewart was feeling, though, because at the end of nearly every one of the 37 days she spent shooting “Spencer,” director Pablo Larraín had a final task for her to do before she left the set. And some days, it was a combo platter, and Stewart was an absolute mess. Other days, the weight of playing Princess Diana coming to terms with husband Prince Charles rejecting her, and the royal family dismissing her, left her angry. ![]() Sometimes at the end of a day shooting “Spencer,” Kristen Stewart felt wrung out and absolutely exhausted. ![]() AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |